poetic reading
Summer The grass stands tall. It has overgrown the rows of benches in an open-air theatre. Two boys fell asleep, tipped forward. How much patience did they bring, how much hope for an event that might keep them awake? Here they lie peacefully side by side, sunk into sleep, in the tall grass, between empty wooden benches, in the sultry weight of summer.
Objective description
Tall grass dominates the entire picture. No horizon. No shade in the hot summer. Wooden benches can be seen between the stalks. Benches in rows, like for an audience of an open-air stage. In the center of the picture, two young men sink forward, asleep.
Plausible association
When living beings sleep, they take time out from the world. They choose a place that feels safe enough at least until they return. That nothing would happen here appears as certain as amen in church. But how certain is that now?
Artistic intention
Sleep is generally considered a time for regeneration. We are briefly away, only to return fit and present. But that does the sleep an injustice. Much more happens during sleep, and we remain sensitive to everything around us, who is near and who is far. Social beings remain social even in sleep.
Topics
Participation
Sleeping Duty No 1, © Kombinat kombiniert Tanz und Film UG, 2011, Sirko Knüpfer
Extended License
Allowed
- exclusively non-commercial use for cultural, scientific or transdisciplinary, dialogue- and knowledge-oriented, and public-interest purposes
- context-bound (site-specific) presentation on monitors, screens, or by projection before a live audience of up to 1000 persons
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- use in event-related self-promotion, public relations, documentation, and communication purposes (print and online)
- use in moving-image formats (e.g. film, video essay), provided the artistic integrity of the work is maintained
Required
- use as is (no alteration permitted, see legal terms for details)
- Presentation of the entire work, without cropping or partial overlay.
- Time-based media must be presented without interruptions or omissions.
- Looped or silent presentation is permitted where explicitly stated.
- Credit line must be provided as specified
Forbidden
- any use outside a contextual relationship*
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- transfer or sale to third parties
- any form of modification or alteration beyond the permitted use
- partial presentation or excerptions of the work
- The poetic complement is intended as a relational insertion and is not conceived as an autonomous use.
Basic License
Allowed
- exclusively non-commercial use for cultural, scientific or transdisciplinary, dialogue- and knowledge-oriented, and public-interest purposes
- context-bound (site-specific) presentation on monitors, screens, or by projection before a live audience of up to 500 people
- for digital pictures high-quality photographic prints in up to one copy (maximum size restrictions apply)
Required
- use as is (no alteration permitted, see legal terms for details)
- Presentation of the entire work, without cropping or partial overlay.
- Time-based media must be presented without interruptions or omissions.
- Looped or silent presentation is permitted where explicitly stated.
- Credit line must be provided as specified
Forbidden
- any use outside a contextual relationship*
- commercial use (including promotional or self-promotional purposes)
- permanent public dissemination or unrestricted public upload/publication
- transfer or sale to third parties
- integration into third-party works outside the intended context
- any form of modification or alteration beyond the permitted use
- partial presentation or excerptions of the work
- The poetic complement is intended as a relational insertion and is not conceived as an autonomous use.
Layout and Draft License
Allowed
- Sketch-like use for testing, layout, and conceptual purposes
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Required
- Use the artistic work in accordance with our guidelines
- Use the artistic work as is
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- For time-based media: use the work in full length, at normal speed, and without omissions
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Forbidden
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